Meet an Artist – Ask him or her the Questions you need answered –

Are you trying to improve your drawings or paintings?

Whitstable boats

Boats at Whitstable painting

Do you have some questions you would like to ask an artist, but never get the opportunity? or you feel too embarrassed to ask?

Yes I’ve been there as well, remember no one is born with these skills, we’ve all had to learn them, step by step.

I learnt best when I created an opportunity to ask an artist, or an art teacher. It’s not easy, because everyone is in a rush. I used to go and visit artists in their studios, because they are much happier to answer your questions and talk about art, when ‘at home’ in their own studio. So although I didn’t always ‘get’ their art or their philosophy, I learnt by talking about it, and where I was hoping to go in my own art development.

For three weekends, from the middle of August, I will throw open my studio doors and invite anyone to come in and browse, to drink tea and coffee and to ask loads of questions. At the same time, another 40 artists in East Kent, will be doing the same thing. Most areas of the UK have an Open Studio event, during the year, and these are valuable opportunities to meet the artists, and talk about their work, but more importantly, to use the opportunity to talk about your own artistic problems and your progress. So Make the most of the opportunity, think up the questions you would most like to ask, choose one problem area of yours, and ask clearly, for advice on how to solve the problem, and to get to your next goal. Use your visit to learn your next step. You could even take a photo of your work with you to show where you are in your own journey.

Visit some studios, and Ask Questions!  You’ll be glad you did, later on.

Thanet Artists Open Studios     Weekends of 13th, 14th, 20th, 21st, and 27th, 28th and 29th August. Open 10am to 4pm each day.

My Studio: 21 Seafield Road, Broadstairs, Kent CT10 2DD

Full details are here: Open Studio Details     I look forward to meeting you!

Here is a video from a very successful artist and motivational speaker, you may need to turn your sound down a little! Enjoy!

 

If you enjoyed this and would like to see more posts like this, put your e-mail address in the box nearby, you will also get my FREE My 10 Top Tips Learning to Draw.

From beginner to skilled Artist – In easy steps – I’ll show you how!

What is the ONE BIG IDEA – that HIDDEN SECRET, you need to know, in order to start that mysterious journey from being a sometime sketcher, to a skilled artist. It has nothing to do with shaky lines, or lots of rubbing out, or even lack of confidence, or not understanding colours, or problems with perspective.

our local park in oils

our local park in oils 10″ x 12″ on board.

Sure – these will all need to be mastered step by step, little by little, but what is the one big thing that sets apart beginners work from skilled work.

I remember how infuriating it was when I started to draw and paint, I was so proud of my work, and just couldn’t understand why it didn’t appeal to the ‘more experienced’ members of our Art Club, and it failed to sell, time after time. I couldn’t see what I’d done wrong, It looked perfect to me, and my close friends all offered their congratulations, telling me how wonderful my work was.

Why wouldn’t anyone tell me the honest truth? Perhaps they were afraid to put me off art, perhaps they didn’t want to lose their ‘artistic’ friend, they didn’t want to cause a scene, maybe they didn’t want to be seen as critical.

Perhaps I never asked the Question?

Well now, many years later, I find myself in the position of ‘a more experienced’ art club member, having worked hard to acquire the skills, little by little, step by step, I am now able, but ‘not so willing’ to offer my  critique. I now understand why no one wanted to tell me what I was doing wrong. Sure – If I am asked a direct question – I will answer it as helpfully and truthfully as I can. After all, what learners need – is to know the next step. Which one big issue needs their attention. This is THE HIDDEN SECRET.

I was actually incredibly lucky, and I did have one critic, who knew exactly what was wrong, I would e-mail all my sketches and paintings, one at a time, to my mother, an experienced art teacher, who had been the Head of Art at a large school, for many years. She was always honest with me, because she knew I wanted the truth spelled out clearly.

Sometimes it was brutal, but on every occasion, after a few minutes digesting her words of wisdom, I knew she was right. She could see and understand my problems. The more I tried, and subjected myself to critique, the better my work became, till eventually, I rarely received ‘brutal’ critiques.

So to sum up the HIDDEN SECRET is, to find an experienced artist or art teacher who you can trust and respect as a mentor, someone who will be honest with you, even if its brutal. You will need to ask the Question, clearly, What have I done wrong here? What one big area or thing should I work on? ie: drawing skills, tonal values, composition, colour choices, etc. then go away and learn all you can about the problem area, look for help on You Tube, and Google, if you don’t understand, go back and ask the question again, and practice over and over again until your mentor gives you your next problem area to work on.

If you find the right mentor and ask them the right question, they will be glad to help you.

You can forget all the books and DVD’s – they have far too much info in them. You just need one big thing or idea, to work on. Not a whole book full! So go out there, join your local art group, and ask questions, and keep asking questions, until you find your mentor. Good Luck!  

Here’s a blog you can learn a huge amount from, by in inspirational and motivational artist. Adebanji Alade  Enjoy!

using a pochade box

using a pochade box for oil painting.

News from the Studio

My lack of regular blog articles is not due to idleness, its due to lack of spare time, I know that’s no excuse, but here’s what I’ve been up to, I’ve begun oil painting, and have created nearly twenty 10″ x 12″ oil paintings on board, mainly working out doors on location, ‘en plein air’ as the French say. My pochade box is serving me well, and I have already modified it to make it easier to use.  I have a lot to learn so I have found my mentor, (see article above), who has a wealth of ‘plein air’ painting experience, and likes to go out frequently. I have also been experimenting with larger watercolours using 1/2 imperial size paper ( 15″ x 22″)  usually rough surface, 200 or 300 lbs in weight. I am loving this experimentation, both in oils and watercolours, and look forward to a busy summer of painting ahead.

Also I’ve been planning for my Open Studio, which will happen here on August 13th & 14th, 20th & 21st, 27th, 28th & 29th.  More details in my next blog post. Don’t miss it, put your e-mail address in the box to get my posts in your inbox.

Also click here for a list of my exhibitions in 2016

A Quick and Simple way to Unlock your Creativity

OK – You can start with a £1 sketch book and a 4b pencil.

Yes that’s it, starting on the path to learn a new and valuable skill, can be Quick and Simple!

Sketching with a pen

Sketching with a pen

Unlike other skills such as music, you don’t need to start with a one to one tutor, or even an art class. You can start like I did, with a cheap sketchbook and a pencil. You will need to get into the habit of carrying it with you always, so you can sketch anything you like, in all those brief moments between meetings, while waiting for a bus, waiting for people, just sitting at home in your lounge, there are a thousand items to sketch, without leaving your sofa. A small A6 sized sketchbook will fit in your pocket and will hardly be noticed in a cafe or on the train. Do you get what I’m saying.

Of course, once you do acquire the sketching habit, you will naturally want to learn more techniques and get some useful tips. You will also notice quite quickly that by really looking at things properly, like an artist does, your friends will start to admire your work, and wonder “where that skill came from”. No longer will you have to hide your sketchbooks for fear of ridicule. I’m deadly serious here – your life will improve through the unlocking of your own creativity. This is exactly how I learnt to Draw and went on to Sell my Paintings.  So what if I said you can have my Ten Top Tips – Learning to Draw for FREE – does that sound good! OK! Click Here  or in the box below to get the Pdf file link, so you can save or print it.

News from the Studio

I have become an art teacher!  Did I hear you gasp? Well I recently planned and delivered my first Six Session Course on How to Draw – from the beginning! I received thirty five applications for twelve places.

I was never a ‘teacher’ in my earlier ‘pre artist’ life, but of course I have always enjoyed helping and encouraging people to achieve what they thought impossible and so I suppose the planning and presentation were not new to me.

I am delighted that my students wanted to be shown where to start on the path of learning to draw, and that they listened carefully and responded well to my suggestions and tips, so that when the six sessions ended and we looked back through our sketchbooks, everyone had made real improvements and they could clearly see their own progress.

I think I learned as much as they did and I now know how to structure my next course which will be designed to take them to the next level. Watch this space.

Al Fresco – En Plein Air – Urban Sketching – What is this all about?

Regular readers will know that I am never happier than when sitting in the corner of a muddy field or boatyard and sketching or painting from nature, especially if the weather is warm and dry. Some call it Al Fresco, others En Plein Air, and Urban sketching is the newest and latest trend, with groups forming up in big cities and smaller towns all over the world. I recently joined in with the Urban Sketchers Canterbury having found them on Facebook, and even a bitterly cold wind didn’t stop about 40 people turning up and sketching in and around Dane John Park for 2 hours, ending in a local pub to exchange banter and sketchbooks with an occasional drink to keep out the cold. Most enjoyable, and a lovely way to improve your sketching skills. If you put ‘Urban Sketchers’ into Google, you’ll get the idea.

I'm happy when painting

I’m happy when painting

This leads me on to my next challenge. I have been asked to plan a series of Al Fresco painting days for our local Art Society. I decided to go one step further and open it up to anyone who would like to try painting or drawing out of doors on warm and dry days. It starts on 19th May and continues on most Thursday’s until early September.  I prefer to start about 9.30 – 10 am and to reward my ‘hard work’ with coffee or food afterwards, usually about lunchtime. I can’t attend all venues, but others will. Remember this is a self-help group, with no formal leadership or tuition, just a group of friendly people who prefer to work out doors from nature, in good company. You are also invited to visit and join in the conversation in our Facebook Group:  KENT PLEIN AIR PAINTERS.  where all the dates and venues are to be found.

If you live in East Kent and want to improve your sketching or painting – you know what to do!

How to get creative – for less than £5 – I can show you the way!

Every time I go out doors to draw or paint I meet passers by who take a quick furtive look at my work and say “I can’t Draw”  or “I wish I could Draw” or “I can’t draw but I do like Painting”,

my outdoor set up

my outdoor set up

and then they say “It must be so relaxing”! I wouldn’t mind a £1 for every time I’ve heard that. Drawing and Painting can indeed be very theraputic, and can relieve stress and be very relaxing.

What onlookers don’t see is the brain working rapidly to try to decide how to deal with the problems before me, especially when using watercolour, when I need to know how many washes I’ll use, where to place them and which colours I’ll choose, to give a pleasing result, and how I’ll capture the light which is so essential for a successful painting.

Many people don’t realise that being able to draw with confidence is such a useful and valuable skill.

After all, how can a craft that requires only a couple of pencils and a sketchbook or two, costing less than £5 be valuable?

It certainly doesn’t require expensive one to one tuition, or regular lessons, unlike learning to play the piano, or violin, and you don’t even need a piano. So it is hard to understand why more people don’t take up sketching and drawing.

Being able to draw will change your life in unimagined ways – It will teach you to ‘see like an artist’, which is very different from the way most people see things, it will also help you re-appraise the art all around you, and give you the ability to discuss and debate art in a clearer manner. You will be a better communicator, and perhaps more valuable to an employer, as you will notice things others miss. You may choose to go on and learn how to paint, and if you do, your paintings will be more successful than someone who doesn’t draw well.

If you’ve always wanted to draw, but don’t know where to start, let me offer some FREE help. Send for my

Ten Top Tips – Learning to Draw It’ll get you started and will help unlock your hidden creativity.

You can fill in the form on this page,  or read my story here.

Up the creek 1/2 Imp watercolour

Up the creek 1/2 Imp watercolour

I’ve hardly mentioned all the health benefits from improved creativity, such as:

enhanced brain development, being more observant, people with Alzheimers often notice improved memory and recall, benefits from being able to express ones inner thoughts and feelings, it also helps with shyness, autism and self-esteem.  For an excellent discussion of the many health benefits, click here.

News from the Studio

Since Christmas, I have been very busy with several projects which I wish to develop. The first is to paint watercolour landscapes in a more exciting way, on larger paper (1/2 Imperial size) 22″ x 15″ approx. I’m really enjoying this, having put it off for several years, but now I’m hooked. This started when I managed to buy an original Edward Wesson watercolour, and learned that he always worked at this size. Another benefit is that it helps you ‘loosen up’, and become less interested in minute detail, having to use larger brushes and more water.

Another project was to teach my first Drawing class – twelve students in six sessions, and I am really enjoying this, particularly the planning, and preparations, and finding out which ideas work well in class. Later this year I will make this course available on line, so anyone can have a go.

Another project for this summer is to switch from Acrylics to Oils when painting ‘en plein air’ I’ll let you know how this goes next time. Don’t miss it! Meanwhile here are some of my recent works:

Learn to Draw – In easy steps – To impress your friends!

Would you like to learn how to improve your drawing skills?

Shoppers and visitors in Westgate Canterbury

Shoppers and visitors in Westgate Canterbury

I taught myself how to draw, many years ago after realising that my paintings were not improving.

You see, – I had no real urge to draw but just wanted to paint and I was in a hurry!

Does this ring a bell with you?  So I got myself a sketchbook and some pencils and did a little each day, but no more than one and a half hours a week. and it cost me less than £5 to get started.

Looking back now and seeing how popular my paintings have become, I thought it was time to pass on my knowledge so I began to teach small groups at a time, and to help people struggling with various local art projects.

As a result, I produced a FREE document,  “MY 10 TOP TIPS – Learning to Draw”

Have you read it? It is designed to help get you started in the right direction and to get in the habit of drawing ‘little and often’. exactly how I learned. If you complete the box below or in the right column, I’ll send you the link to print off a copy. You will also receive future news about this subject and details of an on line course and You Tube Videos which are planned and coming shortly.

A page from my sketchbook

A page from my sketchbook

Regular readers will wonder where I’ve been, since I last wrote in mid October, Sorry! At least you know I won’t bombard you with too many updates, and I’m happy to hear your views about learning to draw and paint.

Items from the kitchen drawer make good subjects for quick 5 – 10 minute sketches, I drew these in pen and shaded them with a marker pen. Pro Tip: Put a date on your sketchbooks, so you can see your progress over a period of time.

 

Travels of a Kentish Artist – One Week Only! Why Artist’s Exhibit?

Travels of a Kentish Artist 14th – 20th October – York Street Gallery, Ramsgate CT11 9DS

An exhibition of a whole year’s work is such an exciting way to present the results of my working out in the fields, on the beaches, by the rivers, in the sunshine and the rain and also at home in the studio when it’s too cold or wet outside.

at the exhibition

Proudly displaying some watercolours

In the cold winter months I like to make the best use of all those impromptu sketches and notes I made during the year, in order to maximise the creative output, from all of those ‘al fresco‘ and ‘en plein air‘ opportunities.

This year, I have continued to specialise with my favourite medium, Watercolour, which never fails to intrigue me, watching it run down the page in a seemingly uncontrolled manner, under my watchful eye, and then seeing it blend and allowing it to merge with other washes. The process is often magical, sometimes almost out of control, and sometimes its a disaster. This is why so many people over the years, have told me they switched to other mediums like acrylics or pastels or oils. ‘easier’ mediums, they keep telling me. It’s also why I continue to persevere and to experiment, because I know there is so much more to learn with watercolours.

Another medium of choice for me this year was Acrylics. I have been using them in the studio for a few years now, but this year I took them outside, to use in the warmer weather, where they try to dry incredibly quickly, causing all sorts of problems, so that was another challenge to be overcome and visitors to this exhibition will see a selection of landscape and coastal scenes captured out of doors, all presented in hardwood frames, and ready to hang.

Why Artists Exhibit?

For me, holding an exhibition is a social occasion, as well as an economic one. Artists spend a great deal of their time working alone, out in the country or in the studio, it’s not a very sociable occupation, unless of course they are painting city scenes, or townscapes, when all sorts of people come along to chat. So it is a good opportunity to meet up with ‘real people’ and not just fellow artists, and to talk about the works on view and why and how they were created.

My 2013 Exhibition in Ramsgate

From City Bank to River Bank my 2013 Exhibition

As mentioned above, It is also an economic occasion, when we hope to sell a few works to enthusiastic viewers, but more importantly, it’s meeting those viewers that’s more exciting, and learning what appealed to them, why they chose one work over another, what was the ’emotional connection’? Did it remind them of a place or a time or event in their life? Painting – like all the Arts, is a medium of ‘Communication’ and like all communications, it works best when it is Two Way. So an exhibition perfectly sets the scene for meaningful communications. A final reason to plan an exhibition for the future, is to provide a fresh target to aim for, a new challenge if you like, in order to replenish and update the artist’s body of work.

2015 Exhibition Poster

2015 Exhibition Poster

 

Painting the Norfolk Broads – A forgotten National Park, or an Artist’s Paradise?

Mousehold Heath, Norwich - John Crome

Mousehold Heath, Norwich – John Crome

The Norfolk Broads are renowned for their early morning mists, beautiful lakes and rivers (known as broads), windmills, trees, wildlife, boats and sailing craft of many shapes and sizes, boathouses, low bridges, old stone ruins, and a few human ruins, sorry – I mean artists, setting up their easels all over the place to capture some of this magical atmosphere.

Of course we’re not the first to notice these natural beauties, The Norwich School of Art was the first in this country, founded in 1803 and made famous by John Crome, John Sell Cotman and Joseph Stannard, to name a few. Their works went on to influence the artists of the French Impressionist school.

Atmosphere is what we as artists are trying to capture in paint. To accurately record the scene before our eyes, isn’t inherently difficult, even a camera can do that quite well. But the artist seeks to capture the ‘atmosphere’ which attracted him or her to the scene. That might be the early morning mist, the sound of the ducks, the way the light is filtered through the tree branches, the smell of the woodland, and all the other senses that the artist is experiencing.

It’s not surprising then why I and so many other artists prefer to work out doors, directly from nature.  It is also no surprise to learn that paintings and sketches made on a rainy or misty day, perhaps in the snow, or beneath a magical evening sky or in the early morning light, very often manage to capture something special about that atmosphere in a way that studio work rarely does.  For the same reasons working from photographs is almost never successful.

View from How Hill, Norfolk

View from How Hill, Norfolk. This is the highest hill in Norfolk.

So you might think we have the best job in the world? Visiting interesting places, checking out stunning scenery, painting until the light fades away, well yes and no. That is the creative part of the role, and it has many excitements and disappointments, not least  when a few spots of unexpected rain can ruin an hour and a half’s work in watercolour, or a sudden gust of wind carries away the easel, complete with firmly affixed wet painting, requiring a scramble over the rocks or a dip in the cold algae covered lake to retrieve said masterpiece. Of course, this is all forgotten when the next attempt is a success.

The other part of the ‘job’ is less creative, and more ‘sales and marketing’, a subject which doesn’t come naturally to many creative people. So it’s, framing and mount cutting, cataloging and pricing, entering into competitions, talking to galleries, planning exhibitions, placing work in Internet shops, writing detailed descriptions, packing and sending paintings, web site maintenance and writing blog articles, such as this. All very interesting and it has to be done, but still it keeps us from getting out there and being creative as much as we’d like.

mount cutting

Cutting mounts and double mounts

To follow my continuing story, do make sure you put your e-mail address in the box on this page. It will keep you up to date and ensure you don’t miss my next posting.

To see earlier blog posts – click on this photo.

 

News from the Studio – Sun and Rain, Wexford Ireland, and Open Studios

What a Summer it’s been! Hot dry days and cold rainy days in equal measure!

But this isn’t a weather report, so here is some of my recent work, from my visit to Wexford, Ireland and then some ‘Open Studio’ news.

My visit to Wexford Ireland was to take part in “Art In The Open“. This is an annual event which attracts up to 200 artists from all over the world. Each day has it’s own chosen venue, a town or a harbour, and everyone arrives and sets up their easels, for a day’s ‘plein air painting’, as the title hints, Art in the Open. I like to get started early, to get ‘one in the bag’ so to speak, in case rain arrives later on. Here are some works in watercolour:

Stables, Wells House

Stables, Wells House

 

view from Hook Head

view from Hook Head

 

 

 

 

 

 

 

 

farm in wexford

farm in county wexford

You can see the variety of subjects chosen, I especially loved the farm buildings and the old homestead in this painting, which I did on the last day, which also brought warm dry weather.  It was most enjoyable to meet up with the other artists, in the evenings and to swap tales and experiences etc. Many are household names in their own countries.

What lovely friendly and sociable people and I even sold one work ‘off the easel’ to a cafe owner. The exhibition and dinner at the end of the week was brilliant and I found myself cementing long term friendships and promising to return.

 

My Open Studio was held over the three weekends ending on August Bank Holiday. I shared the studio of local artist, Andrea Chappell and we had the pleasure of welcoming over 80 guests, many of whom were unknown to us, and we both made sufficient sales to encourage us to consider holding open studios again next year.

some Open Studio works

some Open Studio works

Here is a view of some works on display, we had approx 40 framed works, and another 40 mounted unframed works, plus some prints and greetings cards, so something for everyone.

Open Studio

Open Studio

 

 

 

 

 

 

 

Between visitors, I managed to paint this watercolour view of our ‘Cabin Studio’, as a gift to Andrea, for her hospitality.

Have you been to Wexford in Ireland? or even visited an Artists Open Studio? I’d like to hear your stories.

Meet the Artist – Open Studios and Art Trails – What’s it all about?

Would you love to meet up and chat with artists in their studios, but are too scared to do it?

Bow open studio sign

What will they be like?  Will I get halfway down their path and turn around in trepidation?

Can I think of anything to say and will we have ‘anything’ in common?  Will I be expected to buy something?

Do you recognise these thoughts? Have you been there? Would you prefer to visit the dentist?

I’ve been there, many times, – and I’m an outgoing sort of fellow. I love to visit Artists in their Studios and in practice, it never takes long to establish friendly conversations, and I rarely buy a work of art. So why all the scary thoughts?

I think it will take a psychiatrist to explain all these feelings, but suffice to say, do go along, with a friend if you like, and meet up with your local artists. You’ll be amazed at the variety and scope of their works, and wonder how they were made. If you’re very lucky, the artist may have an item on the easel, and be working on it as you arrive.

Artists at work

Artists at work

Needless to say, once past the front door, I’ve always had fascinating experiences at open studios and met some really wonderful friendly and creative people. So what are you waiting for. Almost every area in the country now has an annual Open studios event or an Art trail as they are sometimes called.  You first need to get hold of the booklet for all the details of times and addresses of venues etc. The booklet will usually have an example of each artist’s style of work, so first of all you need to choose two or three studios, not too far away, who seem to have works that you might like. Some studios show the works of several artists, so it’s almost like two for one. Choose a day and time when those studios are open, and take a friend along for the trip.

I guarantee you wont regret it, you’ll see lots of artworks, meet lots of creative people, perhaps consume lots of tea and biscuits, and maybe make some new friends. You may even acquire a permanent reminder of your day out and I bet you will want to do the same again soon.

In my area of Kent, there are three organisations who run open studios,

South East Open Studios  – more details here       held in June each year.

Thanet Open Studios    – more details here     held in August each year,

East Kent Open Houses     – more details here        held in October each year.

This year I’m sharing the studio of another local artist, Andrea Chappell whose work is really exciting. Here’s our leaflet, with all the details:

My Open Studio

My Open Studio

 

To check out some of the works in my studio click here

 

 

 

Why do artists like to paint in the open air – in all weathers?

OK So I’m off to ‘Art in the Open’.

art in the open

art in the open

Probably the largest plein air festival in Europe! It takes place in Wexford, in the Irish Republic for a mad week of even madder painting, in all weathers, and accompanied by approx. 200 other artists, from beginners to professionals, using all mediums in all sizes and all styles.

The people of Wexford know what to expect, as this is the 8th year of the festival. Activities will include, six ‘paintouts’ in places all over Wexford county, painting workshops, life drawing sessions, evening social activities, including a barbeque and a dinner, a charity ‘Quickdraw’ event in Wexford Town, a lecture, an exhibition at the end of the week and awards and prize givings, for those lucky enough to attract the judges attention.

So why do we do it?

Because we hope the weather will be dry and warm and the locations colourful and picturesque. However, this is southern Ireland, where it rains a lot, it’s not called ‘the emerald isle; for nothing. Very often, its those rainy, windswept and stormy paintings that convey the most exciting atmospherics, which buyers just fall in love with and it’s the same few ‘hardy’ artists who manage to capture those effects so splendidly. So I look forward to painting with some of these ‘hardy’ professionals, in ‘all’ or almost all weathers, and hoping some of those stormy atmospherics will be captured in my work. You can be the judge of my success or otherwise, when I post some of the results.

What kit will I take?

my 'plein air' studio

my ‘plein air’ studio

I’ll be working in watercolours and acrylics. So I’ll pack a metal sketching easel, a folding chair, which I can carry on my shoulder, (I know I should stand up to paint, but I can’t stand all day) and a small lightweight folding table.

For watercolours, I’ll include a small drawing board, water bottle, folding cup, a pallette, tubes of paints, lots of 1/4 imperial ‘rough’ finish paper, some bulldog clips, various pencils and pens including dip pens, Indian Ink, masking fluid, and last but not least, my four best watercolour brushes.

For acrylics, I’ll take lots of canvas boards, ready primed for use, tubes of acrylic paints, palette knives, a selection of brushes, I reserve only for acrylics, a stay-wet palette, spray bottle, texture gell and slow drying medium, varnish, kitchen rolls, and an apron.

I’ll also take for the exhibition, some frames, and pre-cut mount boards, point gun to secure works in the frames, tapes, hanging cord, labels, and a screwdriver. Then of course, I’ll need a sun hat, sun cream, warm weather clothes, wet weather clothes, cold weather clothes, what have I forgotten, oh yes, smart clothes for the exhibition and the dinner, and a pocket camera and sketchbook. to record material for future use, including writing my next blog post!

my outdoor set up

my outdoor set up

 

I’m glad I’m not flying, and having to carry all that gear.

Do you paint with a group or in a class? It would be nice to hear your thoughts.