Archive | Plein Air Painters

Chasing The Light – It’s Exhibition time again at York Street, Ramsgate

Chasing the Light Exhibition Postcard

Every 2 years I have my own Exhibition at the prestigious York Street Gallery in Ramsgate.

This is my 3rd showing here and my work has really changed since the last time, so everything you see will be spanking new and fresh.  How exciting is that? So what’s changed I hear you ask?

Well – in previous exhibitions I was working in traditional Watercolour, sometimes with an Indian Ink drawing, and also using Acrylics, for a bright illustrative way of working. More recently I have been working mainly in Oils, and have really grown to love the way they work, when painting out in the field, ‘en plein air’ or Al Fresco as some prefer to call it.

Painting in my garden

Painting in my garden

I have always liked to work out of doors directly from nature, with the changing weather, clouds always on the move, bugs sticking in the paint, sudden showers of rain or wind to blow everything away, or cover it all with sand when working on the beach. I have painted in muddy fields, boatyards, river banks, industrial sites, mountainsides, when the mists descend and blank everything out, town centres, with their noise and traffic, on beaches with an incoming tide, in the cold of winter wearing my thermals, and the heat of summer beneath the sun cream and a broad brimmed hat. When working out of doors I am completely lost in another world, where time is unimportant, and the comments of passers by are shrugged off politely, until I am completely satisfied with my creation.

I am sure you will see all these elements in my work, and notice how different it is from the work of those who work indoors and rely on a photograph for their only reference.

Painting 'plein air' by Steven Alexander

Painting ‘plein air’ by Steven Alexander

Here is a painting of me working ‘en plein air’ by a friend, Steven Alexander, who is one of the Wapping Group of Artists, click on the photo for a biography.

So for an exhibition of mainly Oil Paintings created out of doors, plus a few watercolours and pen and watercolour drawings for those who like these best, remember: York Street Gallery, Ramsgate from 1pm 11th Oct to 12 noon on 18th Oct – For One Week Only! Miss it – and you have a 2 year wait!

If you really can’t get here – then second best is to look up my online shops either at Saatchi or at  Artfinder

They both have a good selection of my recent works.

Learning to Sketch?  – Don’t forget – If you would like to learn to sketch and draw you can get my FREE 10 Top Tips to get you started, by Clicking Here! 

Till the next time!

4 Days Painting in Cornwall – An adventure in wind and rain!

I recently took myself off to Cornwall for four days of painting ‘en plein air’.

Newlyn Harbour in the rain

Newlyn Harbour in the rain oil painting

The last time I painted there was many years ago, in Watercolours, so I decided as a change from my recent haunts, in Wexford, Ireland and the Norfolk Broads, to go back to Cornwall. My car was packed, with everything I needed and off I went to Penzance, a good base for west Cornwall, and its pretty little coves, fishing harbours, rocky coastlines, narrow roads, steep hills, and lovely hostelries.

The first morning was pouring with rain at Newlyn Harbour, so I found a little shelter and worked fast, beneath a clear umbrella, (used at weddings for the bride), so as not to cut out the light. I was in the newer part of the harbour where the large boats unload their catches, and refrigerated lorries are lined up ready to take the fresh fish onwards to the finest restaurants in the major cities. After a light lunch, I went a little way to Marazion, which overlooks St Michaels Mount. I painted the view from the beach using the sea wall for shelter from the wind. The sun had brightened up and before too long I had my second painting in the bag, actually on the floor of the car, under the front seat, where it can dry without being touched. The next day brought rain early morning, so I took the opportunity to see the excellent Stanhope Forbes exhibition at Penlee House Gallery. When I emerged full of inspiration, the sun had also emerged so I decided on a day at Mousehole (pron mousle). I set up on the pier and

Mousehole Harbour low tide

Mousehole Harbour low tide

started work and later was joined by a bus load of American artists and their American tutor, all doing watercolours. The afternoon brought continued good weather so I stayed and painted another oil of the outside of the harbour entrance and the rocks etc, with the afternoon sun on the water.

Later I went to the next cove, Lamorna, where Samuel John ‘Lamorna’ Birch RA, RWS, had lived and painted from 1892 onwards. I arrived in the pouring rain, and despite it being a lovely picturesque cove, at the end of a nightmare steep lane, with few passing places, it was quite dark and grey, so I called it a day and returned to Penzance.

The next day I was bound for The Lizard, England’s most southerly point. Hooray it was bright and dry, as I walked down to the Lizard point, with it’s rocky coast and abandoned lifeboat station and ramp, I picked up the South West coast path, and the strong winds which are usual for this coast, eventually I found a bush to hide from the wind with a view of the Man O’ War rocks, and managed an 8″ x 16″ oil painting. Lunch was with a cousin I hadn’t seen for many years, and afterwards I tackled Cadgwith Cove, which was more sheltered. A beautiful place with its own fishing fleet, duly captured on board size: 12″ x 17″, again working under the umbrella at times.

Cadgwith Cove fishing fleet

Cadgwith Cove fishing fleet

The next day I drove to the north coast at the Levant mine, where I would have liked to capture the old steam engine chimneys, dotted along the rocky coast, but the wind was approaching gale force now so I ventured up the coast road near Zennor, and stopped to do a painting, sitting in the car, which was rocking in the wind, I did manage to capture the coastal view in front of me with some success. Then on to St Ives for lunch and afterwards to Portreath, where the winds were still very strong and the RNLI were patrolling the red flagged beach. I did manage an indian ink drawing of the view before me with some interesting rock strata patterns etc. Before my journey home the next day, I managed a stop at St Mawes, on the Roseland Peninsular and

St Mawes Harbour

St Mawes Harbour

began an oil painting of the harbour area, but after about an hour or so along came the rain, so it was time to pack up and return home, and finish this in the studio. I hope you enjoy these paintings, which are all available and will be put in my online Artfinder shop after drying and varnishing. To be kept up to date with future posts, click on the box below, or this photo, and enter your e-mail address.

Next Time – My 3rd Solo Exhibition in Ramsgate, Kent

Chasing the Light‘  Not to be missed!

News from the Studio – It’s Summer, so it’s Holiday time!

Claude Monet painting from his boat, by E Manet 1874

Claude Monet painting from his boat, by E Manet 1874

Yes for many busy families it is time to get away for a week or two, somewhere hot maybe?

For this busy Artist though it’s time to assess what has been happening. OK so in recent weeks I have had works in a few exhibitions, in Whitstable, Herne Bay, Broadstairs and Margate and shortly in Ramsgate.

The Open Studio season is now over, and the Art on The Railings exhibitions are finished, here where I live and paint, so it is time to put things away and get back to some normality again in the studio. So what am I up to right now. I will shortly be giving an Oil painting workshop to some beginners in oils, that requires some pre-planning.  I’m also giving a course on Learning to Sketch, in six sessions starting in October, this is the third presentation of this course, so with some careful thought and a few fresh ideas, I’m rather looking forward to it this year.

My next exhibition in Ramsgate is with ‘Thanet Plein-Air Painters’ a small group of local artists who go out in varying weather conditions to capture the best of what our area has to offer. Full details are here

Lamorna Cove Cornwall

Lamorna Cove Cornwall  (courtesy of P Streeter, www.burnttoastcottage.com )

I’m then popping down to Cornwall for 4 days of painting at Newlyn, Lamorna Cove and the Lizard, and on my return it’s back to framing, labelling, mounting and varnishing works for my 3rd Solo Exhibition at York Street Gallery in Ramsgate. So no holiday for me, but I’m doing what I love to do, and that’s nearly as good. Click on the photo for a great place to stay in Cornwall!

Painting a Series  For a number of years I have wanted to paint a series of works with a single theme, much like Claude Monet, with his series of works based on Rouen Cathedral, Water lilies, or his Haystacks series. In the past I have started by painting one or two, but I never persevered so the series never really developed. Well this year I have fared a little better starting with a Sunset series of 8 and a gardens series of 10 so far.

Painting in my garden

Painting in my garden

Here is a picture of me painting in my own garden. I invited some friends over to join me and some excellent work was created. I hope this will become an annual event in our local Art Group calendar.

These series paintings are certainly nowhere near Monet’s standard of work, but I’m glad I have made a start. Onwards and Upwards as they say!

If you’d like to learn how to sketch, from the beginning, click on the garden photo or fill in the details below.

Till the next time, make the most of this good weather!

Is this the long hot Summer? – Learn to Paint a Sunset!

Summer:  As a keen ‘plein air artist’ working out of doors in ‘almost’ all weathers, I dream about the possibility of a long hot summer, when I can go out painting as often as possible.

My first Sunset in oils

My first Sunset in oils.  

So when it does arrive, I do my utmost to get out there and paint, most days, and re-schedule other things, for the evenings or for overcast days, when the colours of nature are muted and subdued.

So, is this the long hot summer? Will it continue into September?  I’m on a roll this year, having completed 90 paintings so far in 2017. A record for me, and what’s best of all, I’m pleased with my progress, and can see some signs of improvement in my work.

Sunsets: This year I discovered that summer sunsets are great to paint. They are not for the faint-hearted, after all, you are trying to capture rapidly changing light conditions. But you know me, I thrive on difficulties, so trying to learn how to capture a sunset as it happens is well worth the effort. Certainly they are all different and unique. Their ‘characters’ are changed by the clouds, the breeze, the time of the sunset, currently about 8.45pm where I live.  It is impossible to predict what might happen, but that is exactly what you need to do in order to prepare the board or canvas.

Sunset at Margate in Oils

Sunset at Margate in Oils

Having prepared by putting in the cloud formations and guessing how light or dark it will be at the optimum point, when it starts to happen things change very quickly, and there’s no time to mix colours, so several brushes need to be used, one for light colours, one for darks, one for the orange and reds, etc, and even then as it happens, you realise how wrong you were at the beginning, but you can’t start to chase it, you’ll ruin it all, so you then have to commit what you have just witnessed to memory, and try to finish off from memory, in the darkening light conditions.

Needless to say, if there are three artists all painting the same sunset, they will all look different in the morning, in the fresh light of a new day. If you haven’t tried it, give it a go, take a jumper, and a flask of  hot coffee.

sunset and vapour trails

Sunset and vapour trails

I am still an early learner with sunsets, so here are three of them!

If you enjoy these ‘Studio Stories’ please tell your friends and share on social media. By clicking on the last two sunset photos, you will be taken to larger images and full details plus lots of other recent work in my online galleries.

Till the next time!

 

What do Artists do all day?

painting a still life

painting a still life

Hello again,

While it’s cold and windy outside, it is a good time to review my activity last year and to make plans for the year ahead. In 2016 I painted just over 100 works mainly in oils, ‘en plein air’ but a few large (1/2 imperial sheet size) watercolours, just to keep my hand in.

I travelled to Wexford, Ireland again in late July for Art in The Open which is 150 approx. artists, amateur and professional, working together in picturesque locations, with prizes awarded for the best work, and demonstrations and workshops available if required. Best of all, the Irish know how to enjoy their evenings, and a BBQ and several impromptu social gatherings were also enjoyed.

In August I opened my studio, and welcomed many visitors to see where I work, when at home, and displayed over 100 paintings framed and unframed, so plenty of variety and choice. I enjoy the chance to meet up with fellow artists and enthusiasts, and to chat about everything art related and otherwise.

In September I travelled to the Norfolk Broads, for four days of painting in the glorious lakeside scenery they have to offer. This was about 80 artists, and it’s now the 3rd time I have attended this most enjoyable event.

painting of boats at Broadstairs

painting of boats at Broadstairs

Now for 2017 I am considering a week long trip to Cornwall as it is many years since I have painted in Cornwall, and I just love their small quaint seaside harbours and villages, and rocky headlands. I like to paint where the Newlyn and St Ives school artists used to paint, at the Lizard, Kynance Cove, Sennen, Lamorna, Newlyn harbour, etc.  I’d also like to paint somewhere warmer this year, if finances allow. In between these visits are day trips to London, and west Kent and Sussex for changes of scenery, urban views, or an abundance of trees and Oast Houses, and rolling downs.

 

 

painting of boats at Queenborough, Sheppey

painting of boats at Queenborough, Sheppey

I also plan on painting more frequently in 2017 and hope to achieve 200 approx. fresh works.

In between painting trips, there are Exhibitions in Margate in April Three Points of View, with two artist friends, in Whitstable in June with Locus Arts, in Margate in July with Broadstairs Arts Group, at home in Broadstairs in August with my Open Studio and in Ramsgate in October for my 3rd Solo Exhibition at York Street Gallery

I also help with a Sketch Group, in Ramsgate encouraging people to sketch regularly, and I also help create a programme of plein air paint outs in and around Thanet, and East Kent in the Summer. In the Autumn I’ll present another six session sketching course for begginers in Ramsgate. I’ve forgotten to mention framing, mount cutting, cellophane wrapping, certificates to be produced etc, and posting off sold works. Last but not least – writing occasional blog posts.

Busy? Yes, but I wouldn’t have it any other way.

 

 

A Quick and Simple way to Unlock your Creativity

OK – You can start with a £1 sketch book and a 4b pencil.

Yes that’s it, starting on the path to learn a new and valuable skill, can be Quick and Simple!

Sketching with a pen

Sketching with a pen

Unlike other skills such as music, you don’t need to start with a one to one tutor, or even an art class. You can start like I did, with a cheap sketchbook and a pencil. You will need to get into the habit of carrying it with you always, so you can sketch anything you like, in all those brief moments between meetings, while waiting for a bus, waiting for people, just sitting at home in your lounge, there are a thousand items to sketch, without leaving your sofa. A small A6 sized sketchbook will fit in your pocket and will hardly be noticed in a cafe or on the train. Do you get what I’m saying.

Of course, once you do acquire the sketching habit, you will naturally want to learn more techniques and get some useful tips. You will also notice quite quickly that by really looking at things properly, like an artist does, your friends will start to admire your work, and wonder “where that skill came from”. No longer will you have to hide your sketchbooks for fear of ridicule. I’m deadly serious here – your life will improve through the unlocking of your own creativity. This is exactly how I learnt to Draw and went on to Sell my Paintings.  So what if I said you can have my Ten Top Tips – Learning to Draw for FREE – does that sound good! OK! Click Here  or in the box below to get the Pdf file link, so you can save or print it.

News from the Studio

I have become an art teacher!  Did I hear you gasp? Well I recently planned and delivered my first Six Session Course on How to Draw – from the beginning! I received thirty five applications for twelve places.

I was never a ‘teacher’ in my earlier ‘pre artist’ life, but of course I have always enjoyed helping and encouraging people to achieve what they thought impossible and so I suppose the planning and presentation were not new to me.

I am delighted that my students wanted to be shown where to start on the path of learning to draw, and that they listened carefully and responded well to my suggestions and tips, so that when the six sessions ended and we looked back through our sketchbooks, everyone had made real improvements and they could clearly see their own progress.

I think I learned as much as they did and I now know how to structure my next course which will be designed to take them to the next level. Watch this space.

Al Fresco – En Plein Air – Urban Sketching – What is this all about?

Regular readers will know that I am never happier than when sitting in the corner of a muddy field or boatyard and sketching or painting from nature, especially if the weather is warm and dry. Some call it Al Fresco, others En Plein Air, and Urban sketching is the newest and latest trend, with groups forming up in big cities and smaller towns all over the world. I recently joined in with the Urban Sketchers Canterbury having found them on Facebook, and even a bitterly cold wind didn’t stop about 40 people turning up and sketching in and around Dane John Park for 2 hours, ending in a local pub to exchange banter and sketchbooks with an occasional drink to keep out the cold. Most enjoyable, and a lovely way to improve your sketching skills. If you put ‘Urban Sketchers’ into Google, you’ll get the idea.

I'm happy when painting

I’m happy when painting

This leads me on to my next challenge. I have been asked to plan a series of Al Fresco painting days for our local Art Society. I decided to go one step further and open it up to anyone who would like to try painting or drawing out of doors on warm and dry days. It starts on 19th May and continues on most Thursday’s until early September.  I prefer to start about 9.30 – 10 am and to reward my ‘hard work’ with coffee or food afterwards, usually about lunchtime. I can’t attend all venues, but others will. Remember this is a self-help group, with no formal leadership or tuition, just a group of friendly people who prefer to work out doors from nature, in good company. You are also invited to visit and join in the conversation in our Facebook Group:  KENT PLEIN AIR PAINTERS.  where all the dates and venues are to be found.

If you live in East Kent and want to improve your sketching or painting – you know what to do!

Painting the Norfolk Broads – A forgotten National Park, or an Artist’s Paradise?

Mousehold Heath, Norwich - John Crome

Mousehold Heath, Norwich – John Crome

The Norfolk Broads are renowned for their early morning mists, beautiful lakes and rivers (known as broads), windmills, trees, wildlife, boats and sailing craft of many shapes and sizes, boathouses, low bridges, old stone ruins, and a few human ruins, sorry – I mean artists, setting up their easels all over the place to capture some of this magical atmosphere.

Of course we’re not the first to notice these natural beauties, The Norwich School of Art was the first in this country, founded in 1803 and made famous by John Crome, John Sell Cotman and Joseph Stannard, to name a few. Their works went on to influence the artists of the French Impressionist school.

Atmosphere is what we as artists are trying to capture in paint. To accurately record the scene before our eyes, isn’t inherently difficult, even a camera can do that quite well. But the artist seeks to capture the ‘atmosphere’ which attracted him or her to the scene. That might be the early morning mist, the sound of the ducks, the way the light is filtered through the tree branches, the smell of the woodland, and all the other senses that the artist is experiencing.

It’s not surprising then why I and so many other artists prefer to work out doors, directly from nature.  It is also no surprise to learn that paintings and sketches made on a rainy or misty day, perhaps in the snow, or beneath a magical evening sky or in the early morning light, very often manage to capture something special about that atmosphere in a way that studio work rarely does.  For the same reasons working from photographs is almost never successful.

View from How Hill, Norfolk

View from How Hill, Norfolk. This is the highest hill in Norfolk.

So you might think we have the best job in the world? Visiting interesting places, checking out stunning scenery, painting until the light fades away, well yes and no. That is the creative part of the role, and it has many excitements and disappointments, not least  when a few spots of unexpected rain can ruin an hour and a half’s work in watercolour, or a sudden gust of wind carries away the easel, complete with firmly affixed wet painting, requiring a scramble over the rocks or a dip in the cold algae covered lake to retrieve said masterpiece. Of course, this is all forgotten when the next attempt is a success.

The other part of the ‘job’ is less creative, and more ‘sales and marketing’, a subject which doesn’t come naturally to many creative people. So it’s, framing and mount cutting, cataloging and pricing, entering into competitions, talking to galleries, planning exhibitions, placing work in Internet shops, writing detailed descriptions, packing and sending paintings, web site maintenance and writing blog articles, such as this. All very interesting and it has to be done, but still it keeps us from getting out there and being creative as much as we’d like.

mount cutting

Cutting mounts and double mounts

To follow my continuing story, do make sure you put your e-mail address in the box on this page. It will keep you up to date and ensure you don’t miss my next posting.

To see earlier blog posts – click on this photo.

 

News from the Studio – Sun and Rain, Wexford Ireland, and Open Studios

What a Summer it’s been! Hot dry days and cold rainy days in equal measure!

But this isn’t a weather report, so here is some of my recent work, from my visit to Wexford, Ireland and then some ‘Open Studio’ news.

My visit to Wexford Ireland was to take part in “Art In The Open“. This is an annual event which attracts up to 200 artists from all over the world. Each day has it’s own chosen venue, a town or a harbour, and everyone arrives and sets up their easels, for a day’s ‘plein air painting’, as the title hints, Art in the Open. I like to get started early, to get ‘one in the bag’ so to speak, in case rain arrives later on. Here are some works in watercolour:

Stables, Wells House

Stables, Wells House

 

view from Hook Head

view from Hook Head

 

 

 

 

 

 

 

 

farm in wexford

farm in county wexford

You can see the variety of subjects chosen, I especially loved the farm buildings and the old homestead in this painting, which I did on the last day, which also brought warm dry weather.  It was most enjoyable to meet up with the other artists, in the evenings and to swap tales and experiences etc. Many are household names in their own countries.

What lovely friendly and sociable people and I even sold one work ‘off the easel’ to a cafe owner. The exhibition and dinner at the end of the week was brilliant and I found myself cementing long term friendships and promising to return.

 

My Open Studio was held over the three weekends ending on August Bank Holiday. I shared the studio of local artist, Andrea Chappell and we had the pleasure of welcoming over 80 guests, many of whom were unknown to us, and we both made sufficient sales to encourage us to consider holding open studios again next year.

some Open Studio works

some Open Studio works

Here is a view of some works on display, we had approx 40 framed works, and another 40 mounted unframed works, plus some prints and greetings cards, so something for everyone.

Open Studio

Open Studio

 

 

 

 

 

 

 

Between visitors, I managed to paint this watercolour view of our ‘Cabin Studio’, as a gift to Andrea, for her hospitality.

Have you been to Wexford in Ireland? or even visited an Artists Open Studio? I’d like to hear your stories.

Why do artists like to paint in the open air – in all weathers?

OK So I’m off to ‘Art in the Open’.

art in the open

art in the open

Probably the largest plein air festival in Europe! It takes place in Wexford, in the Irish Republic for a mad week of even madder painting, in all weathers, and accompanied by approx. 200 other artists, from beginners to professionals, using all mediums in all sizes and all styles.

The people of Wexford know what to expect, as this is the 8th year of the festival. Activities will include, six ‘paintouts’ in places all over Wexford county, painting workshops, life drawing sessions, evening social activities, including a barbeque and a dinner, a charity ‘Quickdraw’ event in Wexford Town, a lecture, an exhibition at the end of the week and awards and prize givings, for those lucky enough to attract the judges attention.

So why do we do it?

Because we hope the weather will be dry and warm and the locations colourful and picturesque. However, this is southern Ireland, where it rains a lot, it’s not called ‘the emerald isle; for nothing. Very often, its those rainy, windswept and stormy paintings that convey the most exciting atmospherics, which buyers just fall in love with and it’s the same few ‘hardy’ artists who manage to capture those effects so splendidly. So I look forward to painting with some of these ‘hardy’ professionals, in ‘all’ or almost all weathers, and hoping some of those stormy atmospherics will be captured in my work. You can be the judge of my success or otherwise, when I post some of the results.

What kit will I take?

my 'plein air' studio

my ‘plein air’ studio

I’ll be working in watercolours and acrylics. So I’ll pack a metal sketching easel, a folding chair, which I can carry on my shoulder, (I know I should stand up to paint, but I can’t stand all day) and a small lightweight folding table.

For watercolours, I’ll include a small drawing board, water bottle, folding cup, a pallette, tubes of paints, lots of 1/4 imperial ‘rough’ finish paper, some bulldog clips, various pencils and pens including dip pens, Indian Ink, masking fluid, and last but not least, my four best watercolour brushes.

For acrylics, I’ll take lots of canvas boards, ready primed for use, tubes of acrylic paints, palette knives, a selection of brushes, I reserve only for acrylics, a stay-wet palette, spray bottle, texture gell and slow drying medium, varnish, kitchen rolls, and an apron.

I’ll also take for the exhibition, some frames, and pre-cut mount boards, point gun to secure works in the frames, tapes, hanging cord, labels, and a screwdriver. Then of course, I’ll need a sun hat, sun cream, warm weather clothes, wet weather clothes, cold weather clothes, what have I forgotten, oh yes, smart clothes for the exhibition and the dinner, and a pocket camera and sketchbook. to record material for future use, including writing my next blog post!

my outdoor set up

my outdoor set up

 

I’m glad I’m not flying, and having to carry all that gear.

Do you paint with a group or in a class? It would be nice to hear your thoughts.

 

 

Why do I paint? – What inspires me?

Wow! What a Question!  Why do I Paint?

Life obliges me to do something, so I paint.” Rene Magritte

I'm happy when painting

I’m happy when I’m painting

Because I have to! – Because of the excitement if I succeed! – I think its the same thrill that drives an athlete, the feeling that they can always do a little better. That’s the same for me. Of course, I didn’t do myself any favours. I only began this personal journey about fifteen years ago, looking at works of the masters, who had drawn and painted every day of their lives, year after year, so I can never hope to reach their standards but I still try to improve, little by little and as long as I spend lots of time trying, I know that small improvements are possible.

If I’m not painting, it’s because my mind is on something else, I’m probably procrastinating. Why do we do that? Is it the fear of failing? The true masters of any art or craft skill, are usually those who have endured the most failures, but after each failure, they have got up again, to try again and again, doggedly determined to succeed in the end.

I think this is what keeps me painting, while I’m at the easel, time just disappears, I’m lost in another world just intensely concentrating on the task in hand, thinking about how my predecessors, or today’s top professionals, would approach the task. At that moment, along comes an onlooker to say “It’s so relaxing isn’t it” ! Agh!

If only they knew the truth.

What Inspires me?

Everything has beauty, but not everyone can see.” –Confucius

Certainly I am inspired by the impressionists and the world class English watercolourist’s since JMW Turner, but artists are also inspired by ‘ordinary’ things they see in everyday life, that others don’t seem to notice. Old industrial and derelect buildings, or boats etc, which others see as eyesores, waiting to be demolished or removed. Barren landscapes, windswept vistas, crashing seas, gentle valleys, mountain paths, I never know what will inspire me next, it may be a fleeting change in the weather, a dash of sunlight on the water that lasts only a minute, and is gone.

Stormy Day at Llanberis Pass

Stormy Day at Llanberis Pass

It’s very often to do with light, and the way it falls on objects, and changes their colours or their solidity and shape.

My studio here in Broadstairs, is right at the eastern tip of Kent, which used to be an island many years ago. Because of this we are surrounded by acres of sea with only a small land mass, where the sun’s light reflects back off the sea, like Canaletto’s Venice, or Ben Nicholson’s St Ives, all these places are blessed with a ‘special’ light, beloved of artists.

Click on the picture to see my updated website & Blog posts!

 

Q Do you paint or draw?  or are you more interested in reading about what artist’s get up to in their studios?

Q Would you like to learn to sketch and draw?  I’d love to hear your thoughts.

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