plein air

How I Plan a Painting Pt 2 – the finished work!

In Pt 1 click here I explained how I go about the planning of a painting and the importance of deciding about the composition and placing of tonal values, ie: where the darkest darks and the lightest lights will be positioned. You wouldn’t believe the number of times I’ve seen someone take out a photo from

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Sieze the Day! (Carpe Diem) OK so now I’m a latin scholar!

In a month when I have lost two good friends, who were also fine artists, this is a very apt phrase, for the moment. My friends were certainly very active, trying to learn all they could and to create fresh work, living life to the full, as long as they were able. The alternative to Carpe

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How I plan a Painting – from the Start – (Part 1)

Here is an explanation of how I approach a painting – Part 1. 1) Planning or Preparation – 5 Minutes Max Choose a subject – If I’m in my ‘great big studio under the sun’ ie it’s a ‘plein air’ day I’ll spend a minute or two thinking what it is I like about this view,

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Some confessions of a ‘plein air’ painter!

The greatest studio an artist could ever wish for is the great outdoors! Why ‘Plein Air’ Painting? What’s the big idea? Artists have for centuries wanted to get outdoors and set up their easels and work outside under the hot sun and the brightest light that exists. This is when colours are at their strongest.

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